REVIEWED: TC ELECTRONIC PROPHET DIGITAL DELAY
Some of the most iconic delay sounds of the 80s and 90s were created with the help of immersive digital delay, and the prophet has this in spades. From tight, reverberating snapbacks to long-reaching and mesmerising swells, this pedal will have you covered. An essential tool for players looking to add a touch of ambience to their playing, the Prophet offers nothing but a pitch-perfect recreation of your original guitar tone. That means no colouration, no tricks, just an honest to goodness method of fattening up your sound while staying true to the source.
REVIEWED: TC ELECTRONIC SKYSURFER REVERB PEDAL
There’s nothing that goes better with guitar than reverb. From the classic spring reverb sounds that we all know and love, the hall and plate studio sounds that evolved with technology — it’s a subtle but essential effect for all guitarists to explore. TC Electronic’s Skysurfer aims to present a one-stop-shop of basic reverb sounds that’ll prove an asset for any player looking to add width and depth to their sound.
REVIEWED: ELEKTRON ANALOG DRIVE DISTORTION PEDAL
Elektron’s Analog Drive aims to offer a one-stop shop for all of your distortion and overdrive needs, conveniently packaged within one stompbox. With eight unique drives to play with and refine, it’s a fully fledged solution to not just emulate the tones you know and love — but to craft something that’s specific to you.
REVIEWED: THE POSITIVE GRID BIAS DELAY PEDAL
Delay is a crucial effect in so many ways. It can help place your guitar sound in a spatial context to help it sit within - or stand out from - a mix, or it can be used as a more overt, ear-catching effect. Or you can go the Edge approach and use it as a rhythmic component of the riff itself. Positive Grid understands that your delay is what you make it, and that’s not just marketing speak (in fact, I just came up with that and I think I’ll hang onto it): BIAS Delay lets you actually design thousands of custom delay pedals from scratch.
REVIEWED: TC ELECTRONIC ECHOBRAIN ANALOG DELAY PEDAL
As far as delay sounds go, most guitarists fall into one of two camps. The first being those who want crystal clear digital sounds, and the latter who are chasing a bit of warmth or grit. TC Electronic’s EchoBrain is designed with those players in mind, offering a classic all-analogue bucket brigade design that’ll keep your repeats nice and toasty — perfect for recreating the vintage tones of the 60s and 70s.
REVIEWED: MOOER TENDER OCTAVER PRO PEDAL
Mooer have certainly made a name for themselves in the world of miniature effects pedals, but what happens when they want to deliver a larger version? In this instance, a bigger housing was required, essentially just to fit more stuff in there, yet the team at Mooer still managed to deliver a unit that is not much bigger than most single effects pedals on the market. Mooer can offer more, but just because it needs to be bigger doesn’t mean it needs to be big. The Tender Octaver Pro is the result of the developers at Mooer building on the popular Tender Octaver pedal, but with so much more control and added sweetness, you’d swear it needed to be bigger to fit it all in there.
REVIEWED: THE RADIAL SWITCHBONE V2 600 ABY/C SELECTOR
When I look at the length and breadth of Radial Engineering’s extensive catalogue, one thing comes to mind – here is a broad spectrum of what are essentially life hacks for the professional musician. Their most widely proliferated product by far is their ever-reliable series of DI boxes, the little green things on the floor that sound engineers covet, and they have ventured far into the realm of effects with some of the creamiest distortions and drives on the market.
TC ELECTRONIC RUSH BOOSTER PEDAL
As part of TC Electronics’ ‘Smorgasbord of Tone’ series, the Rush Booster Pedal, like its brothers and sisters in the range, is designed to offer a simple and classic sound and functionality. A good booster pedal is a tool that most guitarists will find a need for in their arsenal, helping to push your signal when needed, whether it be to control variation between songs, between sections, or simply for a desired tone.