Reviewed: Warwick Rockbass Corvette $$4
Where would the world of storytelling be without the humble bridge troll? That stumpy, much maligned antagonist whose sole purpose is to provide the privileged hero a stumbling stone in their road to everlasting grace is at once a source of almost universal disdain and indispensable fictional device. In spite of all the ugliness and trickery there is really only one wicked name to look up if you want dramatic upturn done right. They’ll probably hate me for saying this but I mean it as nothing less than a compliment. Warwick basses to me have many of the same traits as Rumpelstiltskin and his ilk; far from beautiful, but irrepressibly and sincerely good at their job.
Reviewed: Warwick Pro Series Streamer CV 4 White
Every day people come into the music shop I work at armed with all of the research in the world. Whether it is their first instrument or their 17th, they charge in with a sense of purpose, cocksure in their affirmation that the image they have on their smartphone screen is the perfect choice for them. I’ve definitely been guilty of this more than once and it’s a natural reaction to the intimidating rabbit hole of choice that the stringed instrument world presents.
Reviewed: Fender American Original '70s Jazz Bass
Adolescence is, for everyone, a difficult and tumultuous period in our lives. All that upheaval and hormonal fluidity wreaks havoc on the simplicity and peaceful exploration of childhood and upturns almost everything we know about ourselves. Some find solace zeroing in on a vocation or at the very least a set of hobbies, like learning an instrument for instance, while others lean into the tempest and discover things about themselves and the world at a rate of knots. The same could be said, albeit extraordinarily metaphorically, about the progression of modern music from its infancy in jazz and blues to whatever the hell it is today. In the product outline for the American Original ‘70s Jazz Bass on the Fender website, they describe the ‘70s as the music history equivalent of teenage-hood; an intense period of personal exploration and reimagining, and this instrument goes a long way to encapsulating that ferocious tenacity.
Reviewed: Ernie Ball Music Man StingRay
The Ernie Ball Music Man StingRay bass has come a long way since it was developed by the original Music Man team, which included one Mr. Leo Fender. It’s a classic instrument which has helped to propel the sounds of punk, rock, alternative, funk, R&B and country for decades now and it doesn’t seem to be letting up any time soon, with regular limited-edition variations on the theme. This particular StingRay is one of eight models in the lineup, which includes the Classic (with the original two-band EQ and various other original appointments), the StingRay Neck Through, and Old Smoothie, a recreation of StingRay prototype #26, designed for Sterling Ball during his time spent testing and developing the original prototypes back in the ‘70s. The model we’re reviewing today, however, is the standard model - the state of the StingRay art.
Reviewed: Fender American Original '60s Jazz Bass
1960 saw the introduction of the iconic Jazz Bass design. With its slim neck and pair of single coils it created a whole new Fender bass sound that has held up ever since. Through a myriad of versions, reissues, signature models and variants over the years Fender have just released the American Original series of instruments harking back to these highly regarded time periods. Let’s see if the Original 60s will keep the vintage aficionados happy….
REVIEWED: ERNIE BALL MUSIC MAN CAPRICE BASS GUITAR
Perhaps best known for their Stingray line of basses, Music Man aren’t a company to jump around with 46 different models that all seem like variations on each other. Instead they’ve built a respected line of instruments that professionals and amateurs alike have entrusted for their low end duties for many years. Recently Music Man took the plunge of adding some interesting new models to their range with the Caprice being one of them. Featuring new looks, it also introduces a Music Man first, being completely passive.
Reviewed: Sterling by Music Man Ray 34 Bass
When I’m not assailing you, dear reader, with seemingly endless dross in these hallowed pages, I spend my days gainfully employed at your friendly, local guitar store. More often than not when people venture into Bass Corner, down towards the back of the shop, they pick up the P-Bass or Thunderbird that we have safely nestled back there and do their best Flea impersonation. Now, while Leo Fender’s Precision may be one of the most recorded basses in music history, these people are cruelly overlooking a machine that is much more suited to that particular style of playing: the Ernie Ball StingRay, whose honking high mid-range vivacity and balance sits perfectly in the pocket of the more percussive elements of modern music. While they may not sit well with the snobby, classic-rock crowd, there is more than enough colour in the StingRay to render it a welcome addition to any collection. Sterling pays tribute to the mainstay of the So-Cal revolution with their Ray 34.
REVIEWED: FENDER AMERICAN PROFESSIONAL PRECISION BASS
The mood in the Fender factory in the year 1951 must’ve been absolutely electric. With the popularity of Leo and co.’s builds skyrocketing and one of the most profound shifts in popular culture blossoming all around them, I can only imagine what it was like for the people on the tools that gave rise to such mythic instruments as those that we now know to be the gold standard in four and six string design. If ever the question, ‘What does a bass guitar sound like?’ is asked, more likely than not the beast that springs to mind is that year’s deadliest weapon, the Precision Bass. 60 years and countless technological advancements later and still nothing quite compares to that tough, solid monolith of low-end.