Reviewed: MarkBass Marcus Miller CMD Amplifiers
Markbass is a company that has produced top-quality bass gear for decades. Their gear ranges from top-tier professional gear used by the likes of Saxon and Randy Jackson, as well as session players for Steve Vai, Slash, Eurythmics and Massive Attack. Their products are used by professionals and amateurs alike; enter the Marcus Miller CMD series of bass amplifiers, a signature series from legendary bassist Marcus Miller.
Reviewed: Markbass Marcus Miller 102 Bass Cab
Having played with everyone from Miles Davis to Herbie Hancock to Luther Vandross, Marcus Miller is perhaps one of the best known bass players of our time. Hugely influential as a performer and composer, his grooves, technique and improvisational skills have long kept him at the top of the game. Markbass has made a habit of building relationships with serious players, so it’s not completely surprising that Miller has joined their stable of users. Even more than just joining their roster, Markbass has developed a line of signature products for the bass supremo, including heads and cabinets. We saw the Little Marcus amp a few months back, and now we have the 102 Bass Cab in our hands.
Reviewed: Markbass Little Marcus 800 Bass Head
It doesn’t get much bigger than Marcus Miller in the world of bass playing. His career boasts Grammy awards, platinum records, film scores, and playing/writing/producing/recording with the likes of Miles Davis, Luther Vandross, Bill Withers, Chaka Khan, Herbie Hancock and so many more. He has an identifiable sound, serious chops and groove, and has been hugely influential as a musician (and not just for bass players). So when someone with his status joins forces with a bass amp company, it really must be something they believe in. With Markbass being quite the innovator and one of the market leaders, it seems like a primo combination. Enter the Little Marcus series of bass heads with the 800 watt model sitting on our desk.
Reviewed: DV Mark AC 801P Acoustic Amp
We all know Markbass and DV Mark by now. Designed by Italian amp guru Marco De Virgiliis, they’ve carved out their own space in lightweight but robust amplifiers known for their clean sound reproduction and high quality speakers. The Mark Acoustic division doesn’t have as many products on the market as their bass and electric guitar counterparts, but the range has recently been joined by the AC 801, which follows on from models like the AC 101 and AC 601, which we reviewed in these pages about a zillion years ago.
Reviewed: MarkBass 121 Lite Bass Combo
Having played with the likes of Frank Gambale, Mike Stern and Billy Cobham, Alain Caron is a highly respected player in the music community. Likewise, Markbass is one of the most well-known bass amp manufacturers on the planet. It’s then understandable why the two parties would collaborate on the Combo 121 Lite. Continuing with their portable and lightweight amps that push some serious volume, Markbass seems to be onto another winner.
Reviewed: Ashdown OriginAL HD-1 Bass Head
Long a proponent of beefy, big gigging rigs, Ashdown has dived into the ‘Mini’ amp domain with the OriginAL HD-1 Head. Three hundred watts in a small unit that can tuck into a gig bag sounds like a back saving, portable little wonder. Joining the evolution of big bass brand names offering giggable rigs in small forms, Ashdown’s OriginAL range features a head and both 1x12 and 2x10 combos.
Reviewed: Phil Jones Bass Double Four
Phil Jones Bass amps are well-known for being stage-ready and crazy loud, and they use unique small speaker arrays to achieve their power. For instance, the 16-H Bass Horn speaker has a whopping 16 PJB Piranha Type A speakers and extensive baffled bass ports, and it’ll blow your head off. But you don’t always need that kind of power. The Double Four is a little amp that looks like a bass head until you get a little closer and realise that it’s actually a tiny combo that takes advantage of Jones’ small-speaker-but-big- sound technology.
Reviewed: Phil Jones Bass Session 77 Combo Amp
Amp designer Phil Jones has spent the last few decades creating a range of clean, responsive bass amps powered by arrays of small drivers, rather than pumping the sound through one big-ass speaker. His gear has long been favoured by cashed-up pros, but the Session 77 is aimed at the more affordable end of the market. It’s a 100-watt combo with two seven-inch drivers and a two-inch tweeter, and it weighs only around 12 kilograms. You can easily carry it into a gig in one hand with your bass in the other.