REVIEWED: GOLD TONE PAUL BEARD PBR-D ROUNDNECK RESONATOR DELUXE
There are some guitars that you come across that just cry out to be played and that is exactly what the PBR-D Paul Beard Roundneck Resonator Deluxe from Gold Tone did straight out of the box. For those of you looking for something special when it comes to resonator guitars, you can mess about with a lot of the cheaper stuff that is found in most shops, or you can start getting serious and that is when you’ll want to look at the PBR-D. It not only sounds great, but the detail and finish is just superb, making it an all-round beautiful instrument. But you’ll have to hear it for yourself to decide.
REVIEWED: WASHBURN WLO10SCE ACOUSTIC GUITAR
I dunno about you but I can’t look at a Washburn acoustic without thinking of Nuno Bettencourt. That’s bonkers, of course, because Washburn has a long history of great acoustic instruments, and they’re highly respected in the bluegrass world. The guitar on review here is part of the Woodline 10 Series, which is designed to be both affordable and elegant. Often when a company designs to a price point they tend to strip down the designs to be quite standard and non-flashy, but Washburn knows that we’re visual creatures and the way we feel about an instrument can affect what we play on it. So the Woodline 10 Series maintains the visual flair the company is known for, without sending your wallet screaming for mercy.
REVIEWED: FENDER CLASSIC DESIGN ACOUSTIC SERIES
Fender’s Classic Design series of entry-level range acoustic instruments is aimed at providing first-time players a taste of all the availabilities offered by premium instruments at an affordable price. The series has since undergone a few changes: new offerings, redesigns and features. It appears Fender is striving to reduce the gap between the basic and premium model guitars by including features needed but seldom provided to lower range acoustics. It’s a value adding exercise sure to gauge the interest of first-timers. MIXDOWN took four models – CD-60SCE, CD-60SCE-12 string, CC-60S and CD-140SCE to suss Fender’s latest offering.
REVIEWED: CRAFTER HiLITE DE SP ACOUSTIC GUITAR
With a solid Spruce top, a Mahogany back, sides and neck and an Indian rosewood fingerboard and bridge, the HiLite DE SP features a traditional dreadnaught body shape. It is finished in an understated and clean looking matte gloss, and for those needing to plug in you’ll dig the CR-T NV Tuner/Preamp system.
REVIEWED: CRAFTER TC035 ACOUSTIC GUITAR
Producing instruments for over fourty years, Crafter have developed a solid reputation in their domestic markets as well as internationally. Offering a large range of acoustic guitars, basses and mandolins, they pride themselves on consistent quality products. Offering a high degree of playability and tone at a nice price, there is a lot to like about the TC035 semi acoustic guitar.
REVIEWED: CORDOBA GUITARS LEONA L9-E
Modern guitar makers, with their fanned frets, all aluminium everything and built-in lights and whistles, have come a long way from their noble origins. The centuries old tradition of guitar building survives, certainly within Spain as much as without, but it has for the most part shied away from the rampant advancement rife among its descendants. California’s Cordoba Guitars, named for a particular southern region in the mother country of the humble axe, has the full breadth of traditional guitar making in its sails, but there is uncharted territory on the map.
REVIEWED: COLLINGS CJ-35SB ACOUSTIC GUITAR
Collings’ fascination with the ‘Golden’ era of fretted instruments again comes into play with the CJ35 acoustic guitar. The pre-war era flattop guitars between 1930-1942 saw innovations in bracing and changes in body sizes, adjustments to the then status quo that justify their standings in the guitar history books. Throw that influence in the mix with Collings’ high regard for quality instruments at either end of the price scale, and you’ve got one dynamic, well-crafted piece of gear made by one of the most meticulous brands in the business.
REVIEWED: ESTEVE 3Z CEDAR CLASSICAL GUITAR
Esteve guitars have a long-standing reputation that's built upon prestige, authenticity and traditional craftsmanship that's been handed down from generation to generation. First established by Francisco Esteve in 1957, their workshop has grown from strength to strength since its initial inception – all the while retaining core values of old-world design, albeit updated with modern construction methods. With 52 craftspeople employed in their workshop, the end product is a guitar that feels like a Spanish heirloom, but holds the modern playability and intonation of a new instrument without suffering the shortcomings of mass-produced guitars.